| To Die Like a Man | 24 | 11 |
| Trash Humpers | 16 | 7 |
| Enter the Void | 12 | 7 |
| Like You Know It All | 12 | 6 |
| Henri-Georges Clouzot's Inferno | 10 | 4 |
| White Material | 10 | 7 |
| Ne Change Rien | 9 | 6 |
| Life During Wartime | 8 | 4 |
| Easier with Practice | 7 | 3 |
| Face | 7 | 4 |
| Guy and Madeline on a Park Bench | 6 | 3 |
| Soul Kitchen | 6 | 3 |
| Don't Let Me Drown | 6 | 2 |
| Extraordinary Stories | 6 | 2 |
| Ghost Town | 6 | 4 |
| Eccentricities of a Blond-Hair Girl | 6 | 3 |
| The Time That Remains | 5 | 3 |
| The Anchorage | 5 | 2 |
| Everything Strange and New | 5 | 2 |
| Love Exposure | 4 | 2 |
| How to Fold a Flag | 4 | 2 |
| Carcasses | 4 | 2 |
| Sweet Rush | 4 | 2 |
| The Milk of Sorrow | 4 | 2 |
| The Shaft | 3 | 1 |
| Min Ye | 3 | 2 |
| Videocracy | 3 | 2 |
| Camino | 3 | 1 |
| Americana | 3 | 1 |
| Morphine | 3 | 1 |
| Birdwatchers | 3 | 1 |
| Contact High | 3 | 1 |
| The Revenant | 3 | 1 |
| The White Stripes Under Great White Northern Lights | 3 | 1 |
| The Clone Returns Home | 3 | 1 |
| Independencia | 3 | 1 |
| Helsinki Forever | 3 | 1 |
| Vegas: Based on a True Story | 3 | 1 |
| Eden is West | 3 | 1 |
| Pandora's Box | 3 | 2 |
| These Encounters of Theirs | 3 | 1 |
| Garapa | 3 | 1 |
| With a Little Help from Myself | 3 | 1 |
| Historias extraordinarias | 3 | 1 |
| Applause | 3 | 1 |
| Air Doll | 2 | 1 |
| Ruhr | 2 | 1 |
| Fish Story | 2 | 1 |
| Last Conversation | 2 | 1 |
| Breathless | 2 | 1 |
| The Hole | 2 | 1 |
| Sergio | 2 | 1 |
| TimeCrimes | 2 | 1 |
| Pink | 2 | 1 |
| October Country | 2 | 1 |
| Woman Without Piano | 2 | 1 |
| Bellamy | 2 | 1 |
| Lowlands | 2 | 1 |
| It Felt Like a Kiss | 2 | 1 |
| Four Nights with Anna | 2 | 1 |
| Disco and Atomic War | 2 | 1 |
| Donne-Moi La Main | 2 | 1 |
| Cropsey | 2 | 1 |
| Henri George Clouzot's Inferno | 2 | 1 |
| Vincere! | 2 | 1 |
| Modus Operandi | 2 | 1 |
| Lunch Break | 2 | 1 |
| Severe Clear | 2 | 1 |
| La religieuse portugaise | 2 | 1 |
| Rachel | 2 | 1 |
| The Best Worst Movie | 2 | 1 |
| The Mountain, The River, and The Road | 2 | 1 |
| Sorry, Thanks | 2 | 1 |
| Daniel & Ana | 2 | 1 |
| La Pivellina | 2 | 1 |
| Spooner | 2 | 1 |
| The Red Race | 2 | 1 |
| Love and Other Impossible Pursuits | 2 | 1 |
| At the End of Daybreak | 2 | 1 |
| Making the Boys | 2 | 2 |
| My Neighbor, My Killer | 2 | 1 |
| Villalobos | 2 | 1 |
| Katalin Varga | 2 | 1 |
| Pandora's Box | 2 | 1 |
| Huacho | 1 | 1 |
| Agrarian Utopia | 1 | 1 |
| Kisses | 1 | 1 |
| Sexykiller | 1 | 1 |
| Men on the Bridge | 1 | 1 |
| A Lake | 1 | 1 |
| She, a Chinese | 1 | 1 |
| For the Love of Movies: the Story of American Film Criticism | 1 | 1 |
| To the Sea | 1 | 1 |
| Kinatay | 1 | 1 |
| Winnebago Man | 1 | 1 |
| Paper Soldier | 1 | 1 |
| The Human Centipede | 1 | 1 |
| LIfe During Wartime | 1 | 1 |
| The Sicilian Girl | 1 | 1 |
| The Joneses | 1 | 1 |
| Prodigal Sons | 1 | 1 |
| Three Blind Mice | 1 | 1 |
| Sleep Furiously | 1 | 1 |
| Kill Daddy Goodnight | 1 | 1 |
| Weaving Girl | 1 | 1 |
| The Unloved | 1 | 1 |
| A Brand New Life | 1 | 1 |
| Moscow | 1 | 1 |
| The Sky Crawlers | 1 | 1 |
| Shirin | 1 | 1 |
| Northless | 1 | 1 |
| Eccentrities of a Blonde-Hair Girl | 1 | 1 |
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