Mostrando las entradas con la etiqueta Nine. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Nine. Mostrar todas las entradas

17.12.09

SAG nominations announced (Variety)


"An Education," "The Hurt Locker," "Inglourious Basterds," "Nine" and "Precious" took the SAG nominations for best ensemble cast.

Michelle Monaghan and Chris O'Donnell announced the nominations Thursday morning at the Pacific Design Center in West Hollywood.

Nominees for best actor were Jeff Bridges for "Crazy Heart," George Clooney for "Up in the Air," Colin Firth for "Single Man," Morgan Freeman for "Invictus" and Jeremy Renner for "The Hurt Locker."

Actress noms went to Sandra Bullock for "The Blind Side," Helen Mirren for "The Last Station," Carey Mulligan for "An Education," Gabourey Sidibe for "Precious" and Meryl Streep for "Julie and Julia."

Supporting actor nods went to Matt Damon for "Invictus," Woody Harrelson for "The Messenger," Christopher Plummer for "The Last Station," Stanley Tucci for "The Lovely Bones" and Christop Waltz for "Inglourious Basterds."

Supporting actress noms included Penelope Cruz for "Nine," Vera Farmiga and Anna Kendrick for "Up in the Air," Diane Kruger for "Inglourious Basterds" and Mo'Nique for "Precious."

Winners will be announced Jan. 23 in ceremonies at the Shrine Auditorium in Los Angeles.

Ballots will be sent to the 120,000 members of the Screen Actors Guild.

The SAG award for best ensemble cast has matched the Oscar winner for Best Picture in seven of the last 14 years, including this year's double winner "Slumdog Millionaire."

SAG's best actor winner has matched the Oscar winner in 11 of the last 15 years, including Sean Penn for "Milk" this year.

SAG's best actress winner has matched the Oscar in 10 of 15 years. Streep won the SAG trophy this year for "Doubt" and Kate Winslet won the Oscar for "The Reader" after winning the SAG prize in the supporting category.


14.12.09

BFCA announces its nominees (Variety)


Weinstein Co. pics "Inglourious Basterds" and "Nine" each scored 10 nominations and will lead the charge at the upcoming Critics’ Choice Movie Awards.

Selected by the Broadcast Film Critics Assn., both films were also selected for best picture along with "Avatar," "An Education," "The Hurt Locker," "Invictus," "Precious," "A Serious Man," "Up" and "Up in the Air."

In the lead actor race, noms were handed out to Jeff Bridges for "Crazy Heart," George Clooney for "Up in the Air," Colin Firth for "A Single Man," Morgan Freeman for "Invictus," Viggo Mortensen for "The Road" and Jeremy Renner for "The Hurt Locker."

On the distaff side, lead actresses selected were Emily Blunt in "The Young Victoria," Sandra Bullock in "The Blind Side," Carey Mulligan in "An Education," Saoirse Ronan in "The Lovely Bones," Gabourey Sidibe in "Precious" and Meryl Streep in "Julie & Julia."

Directors tabbed were Kathryn Bigelow for "The Hurt Locker," James Cameron for "Avatar," Lee Daniels for "Precious," Clint Eastwood for "Invictus," Jason Reitman for "Up in the Air" and Quentin Tarantino for "Inglourious Basterds."

The org historically selects six noms for many of the major categories.

Following the 10 noms each for "Inglorious Basterds" and "Nine," "Avatar" — Cameron’s $300-plus million sci-fi epic from 20th Century Fox that opens Friday — landed nine noms.

The Critics’ Choice Movie Awards was, so far, the best kudo showing for Rob Marshall’s "Nine," which failed to make the American Film Institute top 10 list announced Sunday. Also from the film, Marion Cotillard was nominated for supporting actress, even though the Weinstein Co. has been pushing her in the lead category for the Oscar race. Academy Award voters are allowed to choose whatever category they think is most appropriate.

Sunday was a good day for "The Hurt Locker," which also picked up top pic prizes from the Los Angeles and Boston film critics. Bigelow was selected as best helmer by both groups as well.

The BFCA have undergone a major change for this year’s awards show. Org changed the name of its kudocast to the Critics’ Choice Movie Awards and moved the venue from the Santa Monica Civic Auditorium to the Hollywood Palladium. In addition, they added eight categories to make it more similar to the Oscars.

Show, hosted by Kristin Chenoweth, airs at 9 p.m. Jan. 15 and is currently in the final year of a pact with VH1. Cabler and sister net MTV simulcast red carpet coverage prior to the telecast.

Last year the BFCA was in line with the Oscars as both tabbed "Slumdog Millionaire" as top pic, as well director Danny Boyle and writer Simon Beaufoy.

BFCA is made up of 235 members representing TV, radio and online.

The full nomination list:

BEST PICTURE

"Avatar"

"An Education"

"The Hurt Locker"

"Inglourious Basterds"

"Invictus"

"Nine"

"Precious"

"A Serious Man"

"Up"

"Up In The Air"

BEST ACTOR

Jeff Bridges – "Crazy Heart"

George Clooney – "Up In The Air"

Colin Firth – "A Single Man"

Morgan Freeman – "Invictus"

Viggo Mortensen – "The Road"

Jeremy Renner – "The Hurt Locker"

BEST ACTRESS

Emily Blunt – "The Young Victoria"

Sandra Bullock – "The Blind Side"

Carey Mulligan – "An Education"

Saoirse Ronan – "The Lovely Bones"

Gabourey Sidibe – "Precious"

Meryl Streep – "Julie & Julia"

BEST SUPPORTING ACTOR

Matt Damon – "Invictus"

Woody Harrelson – "The Messenger"

Christian McKay – "Me And Orson Welles"

Alfred Molina – "An Education"

Stanley Tucci – "The Lovely Bones"

Christoph Waltz – "Inglourious Basterds"

BEST SUPPORTING ACTRESS

Marion Cotillard – "Nine"

Vera Farmiga – "Up In The Air"

Anna Kendrick – "Up In The Air"

Mo’Nique – "Precious"

Julianne Moore – "A Single Man"

Samantha Morton – "The Messenger"

BEST YOUNG ACTOR/ACTRESS

Jae Head – "The Blind Side"

Bailee Madison – "Brothers"

Max Records – "Where The Wild Things Are"

Saoirse Ronan – "The Lovely Bones"

Kodi Smit-McPhee – "The Road"

BEST ACTING ENSEMBLE

"Inglourious Basterds"

"Nine"

"Precious"

"Star Trek"

"Up in the Air"

BEST DIRECTING

Kathryn Bigelow – "The Hurt Locker"

James Cameron – "Avatar"

Lee Daniels – "Precious"

Clint Eastwood – "Invictus"

Jason Reitman – "Up In The Air"

Quentin Tarantino – "Inglourious Basterds"

BEST ORIGINAL SCREENPLAY

Mark Boal – "The Hurt Locker"

Joel Coen & Ethan Coen – "A Serious Man"

Scott Neustadter & Michael H. Weber – "(500) Days Of Summer"

Bob Peterson, Peter Docter – "Up"

Quentin Tarantino – "Inglourious Basterds"

BEST ADAPTED SCREENPLAY

Wes Anderson, Noah Baumbach – "Fantastic Mr. Fox"

Neill Blomkamp, Terri Tatchell – "District 9"

Geoffrey Fletcher – "Precious"

Tom Ford, David Scearce – "A Single Man"

Nick Hornby – "An Education"

Jason Reitman, Sheldon Turner – "Up In The Air"

BEST CINEMATOGRAPHY

Barry Ackroyd – "The Hurt Locker"

Dion Beebe – "Nine"

Mauro Fiore – "Avatar"

Andrew Lesnie – "The Lovely Bones"

Robert Richardson – "Inglourious Basterds"

BEST ART DIRECTION

Dan Bishop – "A Single Man"

Rick Carter, Robert Stromberg – "Avatar"

John Myhre, Gordon Sim – "Nine"

Naomi Shohan, George De Titta, Jr. – "The Lovely Bones"

David Wasco, Sandy Reynolds Wasco – "Inglourious Basterds"

BEST EDITING

Dana E. Glauberman – "Up In The Air"

Sally Menke – "Inglourious Basterds"

Bob Murawski, Chris Innis – "The Hurt Locker"

Stephen Rivkin, John Refoua, James Cameron – "Avatar"

Claire Simpson, Wyatt Smith – "Nine"

BEST COSTUME DESIGN

Colleen Atwood – "Nine"

Janet Patterson – "Bright Star"

Sandy Powell – "The Young Victoria"

Anna Sheppard – "Inglourious Basterds"

Casey Storm – "Where The Wild Things Are"

BEST MAKEUP

"Avatar"

"District 9"

"Nine"

"The Road"

"Star Trek"

BEST VISUAL EFFECTS

"Avatar"

"District 9"

"The Lovely Bones"

"Star Trek"

"2012"

BEST SOUND

"Avatar"

"District 9"

"The Hurt Locker"

"Nine"

"Star Trek"

BEST ANIMATED FEATURE

"Cloudy With A Chance Of Meatballs"

"Coraline"

"Fantastic Mr. Fox"

"Princess And The Frog"

"Up"

BEST ACTION MOVIE

"Avatar"

"District 9"

"The Hurt Locker"

"Inglourious Basterds"

"Star Trek

BEST COMEDY

"(500) Days Of Summer"

"The Hangover"

"It’s Complicated"

"The Proposal"

"Zombieland"

BEST PICTURE MADE FOR TELEVISION

"Gifted Hands"

"Grey Gardens"

"Into The Storm"

"Taking Chance"

BEST FOREIGN LANGUAGE FILM

"Broken Embraces"

"Coco Before Chanel"

"Red Cliff"

"Sin Nombre"

"The White Ribbon"

BEST DOCUMENTARY FEATURE

"Anvil"

"Capitalism: A Love Story"

"The Cove"

"Food, Inc."

"Michael Jackson’s This Is It"

BEST SONG

"All Is Love" – Karen O, Nick Zinner – "Where The Wild Things Are"

"Almost There" – Randy Newman – "The Princess And The Frog"

"Cinema Italiano" – Maury Yeston – "Nine"

"(I Want To) Come Home" – Paul McCartney – "Everybody’s Fine"

"The Weary Kind" – T Bone Burnett, Ryan Bingham – "Crazy Heart"

BEST SCORE

Michael Giacchino – "Up"

Marvin Hamlisch – "The Informant!"

Randy Newman – "The Princess and the Frog"

Karen O, Carter Burwell – "Where The Wild Things Are"

Hans Zimmer – "Sherlock Holmes"

4.12.09

"Nine", de Rob Marshall (Variety review)


By Todd McCarthy

A Weinstein Co. release presented with Relativity Media of a Weinstein Brothers/Marc Platt/Lucamar production, a Relativity production. Produced by Marc Platt, Harvey Weinstein, John DeLuca, Rob Marshall. Executive producers, Ryan Kavanaugh, Tucker Tooley, Bob Weinstein, Kelly Carmichael, Michael Dryer. Co-executive producers, Arthur L. Kopit, Maury Yeston. Directed by Rob Marshall. Screenplay, Michael Tolkin, Anthony Minghella, based on the musical with book by Arthur L. Kopit, music and lyrics by Maury Yeston and adaptation from the Italian by Mario Fratti.

Guido Contini - Daniel Day-Lewis
Luisa Contini - Marion Cotillard
Carla - Penelope Cruz
Lilli - Judi Dench
Saraghina - Fergie
Stephanie - Kate Hudson
Claudia - Nicole Kidman
Mamma - Sophia Loren
Dante - Ricky Tognazzi
Fausto - Giuseppe Cederna
De Rossi - Valerio Mastandrea
Pierpaolo - Elio Germano
Donatella - Martina Stella
Jaconelli - Roberto Nobile
Cardinal - Remo Remotti
Dr. Rondi - Roberto Citran

"Nine" is a savvy piece of musical filmmaking. Sophisticated, sexy and stylishly decked out, Rob Marshall's disciplined, tightly focused film impresses and amuses as it extravagantly renders the creative crisis of a middle-aged Italian director, circa 1965. Given its basis in a 27-year-old Broadway show, which itself had its unlikely origins in Federico Fellini's self-reflective 1963 classic "8½," the Stateside Weinstein release will probably find a more receptive audience among culture vultures than with the masses. But a robust marketing push stressing the stellar cast, strong notices and the "another 'Chicago' " vibe should still generate solid returns, especially in urban areas.

Although the original 1982 production, with a book by Arthur L. Kopit, music and lyrics by Maury Yeston and Raul Julia in the leading role, won five Tony Awards and ran for 729 performances, many theater mavens preferred the 2003 revival and its star, Antonio Banderas.

But given its heritage and the profession of the central character, the musical has found its proper place on the bigscreen, along with a cast that could scarcely be bettered. Not only can they act, but Daniel Day-Lewis, Marion Cotillard, Penelope Cruz, Judi Dench, Nicole Kidman, Kate Hudson and Sophia Loren can sing. Why didn't anyone know? As one, the cast would undoubtedly respond, "Because no one ever asked."

First big scene at Rome's Cinecitta Film Studios allows the film to establish its stylized method at the outset, as the many women in the life of dashing cinema genius Guido Contini (Day-Lewis) musically make their way onto an unfinished set on giant stage five as he faces the imminent start of a movie he hasn't begun to write. Called "maestro" far too often for his own good, Guido is the sun around which swirl innumerable lovers, loyal workers, acolytes and hangers-on, all whom vie for his time and attention while peppering him with questions about the new picture.

Instead of making Guido entirely self-absorbed and self-serious, Day-Lewis at once places the viewer firmly in the palm of his hand and then in his pocket by emphasizing the character's humorous awareness of his position in life. He puts on a grand show at a press conference, although one journalist, noting that Guido's last two films flopped, pierces the armor of jokiness by asking, "Have you run out of things to say?" At this, the director retreats to a seaside resort to recharge and tells his loyal wife, Luisa (Cotillard), to stay home, only to receive his lusty mistress, Carla (Cruz), who proceeds to steam up the place with her number, "A Call From the Vatican."

Except for Luisa, who has two, the women define their roles in Guido's life by through single songs, which are uniformly arresting in their own right, even if they finally reveal themselves to be mostly straightforward "statement" songs with a similar nature in the Weill-via-Kander-and-Ebb mold. After Carla's declaration of the hots for Guido come "Folies Bergere," a celebration of dreams and sensual bewitchment from Lilli (Dench), Guido's old costume designer and confidante; "Be Italian," rousingly belted out by Fergie, playing a beachside prostitute of Guido's boyhood; "My Husband Makes Movies," Luisa's moving lament that her husband's profession takes precedence over her; "Cinema Italiano," a celebration of the Italy depicted in Guido's movies sung by flirty journalist Stephanie (Hudson); the reassuring mother-to-son lullaby "Guarda la luna" sung by Loren; "Unusual Way," an acute admission by Guido's muse and frequent lead actress, Claudia (Kidman), of the strange hold he has on her; and the new "Take It All," in which Luisa brutally reminds her husband of the sexy woman he is losing.

Some other songs from the show have been adapted or dropped, and bracketing the women's numbers are two from Guido, the egocentric "Guido's Song" and his throwing in of the towel, "I Can't Make This Movie"; "Find another genius," he petulantly challenges those who would listen.

Cutting between black-and-white and color in the musical numbers and, like Fellini's film, constantly on the move as Guido is buffeted about with scarcely a moment to breathe, much less write a script, "Nine" takes the the matter of directile dysfunction seriously without being pretentious about it. With the distance of 45 years, the glory days of Italian filmmaking are depicted more for their chaotic fun than for their grave chic or philosophical import, and the double delight for the cast to be working in both a musical and a picture set in such a fabled era (one known personally among the cast members only by Loren) plainly shows in their spirited performances.

The script sets the course in these matters as well as others, notably in finding a way to honor "8½" while enabling one to put it to the side of one's mind, and in illuminating Guido's folly while still taking seriously his relationships with women. It was not for nothing that the writers engaged were Michael Tolkin, author of "The Player," and Anthony Minghella, whose "The Talented Mr. Ripley" so evocatively captured the Rome of just a few years before.

Working again with his resourceful lenser Dion Beebe, Marshall shoots in a nimble style that keeps the film alive all the way; editing by Claire Simpson and Wyatt Smith is fast but not frantic.

Camera (Technicolor/B&W, Panavision widescreen), Dion Beebe; editors, Claire Simpson, Wyatt Smith; original music, Yeston; music supervisor, Matt Sullivan; production designer, John Myhre; senior art directors, Phil Harvey, Tomas Voth; supervising art director, Simon Lamont; set decorator, Gordon Sim; costume designer, Colleen Atwood; sound (Dolby Digital/SDDS/DTS), Jim Greenhorn; re-recording mixers, Roberto Fernandez, Mike Prestwood Smith, Richard Pryke; choreographers, Marshall, John DeLuca; hair and make-up designer, Peter King; associate producer, Cattleya; assistant director, Vicki Allen; second unit camera, Damien Beebe; casting, Kate Dowd (U.K.), Beatrice Kruger (Italy). Reviewed at Pacific Design Center, West Hollywood, Dec. 3, 2009. MPAA Rating: PG-13. Running time: 118 MIN.

30.11.09

'Nine' tops Satellites with 11 noms (Variety)


The Weinstein Co.'s "Nine" scored a leading 11 Satellite Award nominations, including best picture in the comedy or musical category.

Directed by Rob Marshall, the bigscreen adaptation of the Broadway tuner also scored acting nods for stars Penelope Cruz, Marion Cotillard and Daniel Day-Lewis, as well as best ensemble. Marshall also scored a nom for best director.

John Woo's historical epic “Red Cliff"came in second with seven nods.

In the best actor field, noms were handed out to Jeff Bridges (“Crazy Heart"), Hugh Dancy (“Adam"), Johnny Depp (“Public Enemies"), Colin Firth (“A Single Man"), Jeremy Renner (“The Hurt Locker") and Michael Sheen (“The Damned United").

Shohreh Aghdashloo (“The Stoning of Soraya M."), Emily Blunt (“The Young Victoria"), Abbie Cornish (“Bright Star") Penelope Cruz (“Broken Embraces"), Carey Mulligan (“An Education") and Catalina Saavedra (“The Maid") head up the actress category.

For top drama film, “Bright Star,"“An Education,"“The Hurt Locker,"“The Messenger,"“Precious"and The Stoning of Soraya M."were nominated.

Besides “Nine,"other comedy-musical noms were “The Informant,"“Julie and Julia,"“It's Complicated,"“A Serious Man"and “Up in the Air."

On the TV side, Fox's “Glee"topped the list of noms with five nods, including best comedy, actress (Jane Lynch) and actor (Matthew Morrison).

The Satellite Awards are given by the International Press Academy. Winners will be announced on Dec. 20.

And the nominations are:

FILM

Motion Picture (Drama)
"Bright Star"
"An Education"
"The Hurt Locker"
"The Messenger"
"Precious: Based on the Novel Push by Sapphire"
"The Stoning of Soraya M."

Motion Picture (Comedy or Musical)
"The Informant!"
"It's Complicated"
"Julie & Julia"
"Nine"
"A Serious Man"
"Up in the Air"

Foreign Language Film
"Broken Embraces"
"I Killed My Mother"
"The Maid"
"Red Cliff"
"The White Ribbon"
"Winter in Wartime"

Documentary Feature
"The Beaches of Agnes"
"The Cove"
"Every Little Step"
"It Might Get Loud"
"The September Issue"
"Valentino: The Last Emperor"

Motion Picture (Animated or Mixed Media)
"Cloudy with a Chance of Meatballs"
"The Fantastic Mr. Fox"
"Harry Potter and the Half-Blood Prince"
"The Princess and the Frog"
"Up"
"Where the Wild Things Are"

Director
Jane Campion, “Bright Star"
Neill Blomkamp, “District 9"
Lone Scherfig, “An Education"
Kathryn Bigelow, “The Hurt Locker"
Rob Marshall, “Nine"
Lee Daniels, “Precious: Based on the Novel Push by Sapphire"

Actress (Drama)
Shohreh Aghdashloo, “The Stoning of Soraya M."
Emily Blunt, “The Young Victoria"
Abbie Cornish, “Bright Star"
Penelope Cruz, “Broken Embraces"
Carey Mulligan, “An Education"
Catalina Saavedra, “The Maid"

Actor (Drama)
Jeff Bridges, “Crazy Heart"
Hugh Dancy, “Adam"
Johnny Depp, “Public Enemies"
Colin Firth, “A Single Man"
Jeremy Renner, “The Hurt Locker"
Michael Sheen, “The Damned United"

Actress (Comedy Or Musical)
Sandra Bullock, “The Proposal"
Marion Cotillard, “Nine"
Zooey Deschanel, “(500) Days of Summer"
Katherine Heigl, “The Ugly Truth"
Meryl Streep, “Julie & Julia"

Actor (Comedy Or Musical)
George Clooney, “Up in the Air"
Bradley Cooper, “The Hangover"
Matt Damon, “The Informant!"
Daniel Day-Lewis, “Nine"
Michael Stuhlbarg, “A Serious Man"

Supporting Actress
Emily Blunt, “Sunshine Cleaning"
Penelope Cruz, “Nine"
Anna Kendrick, “Up in the Air"
Mozhan Marno, “The Stoning of Soraya M."
Mo'Nique, “Precious: Based on the Novel Push by Sapphire"

Supporting Actor
Woody Harrelson, “The Messenger"
James McAvoy, “The Last Station"
Alfred Molina, “An Education"
Timothy Spall, “The Damned United"
Christoph Waltz, “Inglourious Basterds"

Original Screenplay
Jane Campion, “Bright Star"
Scott Neustadter and Michael H. Weber, “(500) Days of Summer"
Mark Boal, “The Hurt Locker"
Joel and Ethan Coen, “A Serious Man"
Bob Peterson and Pete Docter, “Up"

Adapted Screenplay
Neill Blomkamp and Terri Tatchell, “District 9"
Nick Hornby, “An Education"
Nora Ephron, “Julie & Julia"
Geoffrey Fletcher, “Precious: Based on the Novel Push by Sapphire"
Jason Reitman and Sheldon Turner, “Up in the Air"

Cinematography
Robert Richardson, “Inglourious Basterds"
Guillermo Navarro and Erich Roland, “It Might Get Loud"

Dion Beebe, “Nine"
Dante Spinotti, “Public Enemies"
Lu Yue and Zhang Yi, “Red Cliff"
Roger Deakins, “A Serious Man"

Film Editing
Julian Clarke, “District 9"
Chris Innis and Bob Murawski, “The Hurt Locker"
Greg Finton, “It Might Get Loud"
Claire Simpson and Wyatt Smith, “Nine"
Angie Lam, Yang Hongyu and Robert A. Ferretti, “Red Cliff"

David Brenner and Peter S. Elliot, “2012"

Original Score
Gabriel Yared, “Amelia"
Marvin Hamlisch, “The Informant!"
Elliot Goldenthal, “Public Enemies"
Michael Giacchino, “Up"

Rolfe Kent, “Up in the Air"
Carter Burwell and Karen O, “Where the Wild Things Are"

Original Song
"The Weary Kind"from “Crazy Heart"(T Bone Burnett and Ryan Bingham)
"We Are the Children of the World"from “The Imaginarium of Doctor Parnassus"(Terry Gilliam)
"Cinema Italiano"from “Nine"(Maury Yeston)
"I See in Color"from “Precious: Based on the Novel Push"by Sapphire (Mary J. Blige)
"Almost There"from “The Princess and the Frog"(Randy Newman)
"Down in New Orleans"from “The Princess and the Frog"(Randy Newman)

Art Direction
Terry Gilliam, Dave Warren and Anastasia Masaro, “The Imaginarium of Doctor Parnassus"
Nathan Crowley, Patrick Lumb and William Ladd Skinner, “Public Enemies"
Eddy Wong, “Red Cliff"
Chris Kennedy, “The Road"
Ian Philips and Dan Bishop, “A Single Man"
Barry Chusid and Elizabeth Wilcox, “2012"

Costume Design
Consolata Boyle, “Cheri"
Monique Prudhomme, “The Imaginarium of Doctor Parnassus"
Colleen Atwood,"Nine"
Tim Yip, “Red Cliff"
Sandy Powell, “The Young Victoria"

Visual Effects
"District 9"
"Fantastic Mr. Fox"
"The Imaginarium of Doctor Parnassus"
"Red Cliff"
"Transformers: Revenge of the Fallen"
"2012"

Sound
"It Might Get Loud"
"Nine"
"Red Cliff"
"Terminator Salvation"
"Transformers: Revenge of the Fallen"
"2012"

Ensemble
"Nine"

Outstanding New Talent
Gabourey Sidibe

Auteur Award
Roger Corman

Tesla Award (Achievement in Technology)
Roger Deakins

Mary Pickford Award (Outstanding Artistic Contribution)
Michael York

Ten Best Films of 2009

  • "Bright Star"
  • "An Education"
  • "(500) Days of Summer"
  • "The Hurt Locker"
  • "Inglourious Basterds"
  • "Nine"
  • "Precious: Based on the Novel Push by Sapphire"
  • "A Serious Man"
  • "The Stoning of Soraya M."
  • "Up in the Air"

TV:

Miniseries
"Wallander"
"Little Dorrit"
"Diamonds"
"The Prisoner"
"Generation Kill"
"Collision"

Motion Picture Made for TV
"The Courageous Heart of Irena Sendler"
"Grey Gardens"
"Taking Chance"
"Endgame"
"Into the Storm"
"Loving Leah"

Actor in Miniseries (Motion Picture Made for TV)
Kenneth Branagh, “Wallander"
Brendan Gleeson, “Into the Storm"
Kevin Bacon, “Taking Chance"
William Hurt, “Endgame"
Jeremy Irons, “Georgia O'Keeffe"
Ian McKellen, “The Prisoner"

Supporting Actress in Series (Miniseries/Motion Picture Made for TV)
Jane Lynch, “Glee"
Judy Parfitt, “Little Dorrit"
Chloe Sevigny, “Big Love"
Anika Noni Rose, “The No. 1 Ladies' Detective Agency"
Vanessa Williams, “Ugly Betty"
Cherry Jones, “24"

Actress in Miniseries (Motion Picture Made for TV)
Drew Barrymore, “Grey Gardens"
Jessica Lange, “Grey Gardens"
Sigourney Weaver, “Prayers for Bobby"
Judy Davis, “Diamonds"
Lauren Ambrose, “Loving Leah"
Janet McTeer, “Into the Storm"

Supporting Actors in Series (Miniseries/Motion Picture Made for TV)
John Noble, “Fringe"
Tom Courtenay, “Little Dorrit"
Neil Patrick Harris, “How I Met Your Mother"
John Lithgow, “Dexter"
Chris Colfer, “Glee"
Harry Dean Stanton, “Big Love"

Television Series (Drama)
"In Treatment"
"Damages"
"Mad Men"
"Big Love"
"The Good Wife"
"Breaking Bad"

Actress in a Series (Drama)
Julianna Margulies, “The Good Wife"
Jill Scott, “The No. 1 Ladies' Detective Agency"
Glenn Close, “Damages"
Stana Katic, “Castle"
Elisabeth Moss, “Mad Men"
Edie Falco, “Nurse Jackie"

Actor in a Series (Drama)
Bill Paxton, “Big Love"
Gabriel Byrne, “In Treatment"
Jon Hamm, “Mad Men"
Lucian Msamati, “The No. 1 Ladies' Detective Agency"
Bryan Cranston, “Breaking Bad"
Nathan Fillion, “Castle"

Television Series (Comedy or Musical)
"Glee"
"30 Rock"
"Weeds"
"The Big Bang Theory"
"How I Met Your Mother"
"Flight of the Conchords"

Actress in a Series (Comedy or Musical)
Lea Michele, “Glee"
Tina Fey, “30 Rock"
Toni Collette, “United States of Tara"
Mary-Louise Parker, “Weeds"
Brooke Elliott, “Drop Dead Diva"
Julie Bowen, “Modern Family"

Actor in a Series(Comedy or Musical)
Matthew Morrison, “Glee"
Jemaine Clement, “Flight of the Conchords"
Alec Baldwin, “30 Rock"
Stephen Colbert, “The Colbert Report"
Danny McBride, “Eastbound & Down"
Jim Parsons, “The Big Bang Theory"