Mostrando las entradas con la etiqueta World Cinema Fund. Mostrar todas las entradas
Mostrando las entradas con la etiqueta World Cinema Fund. Mostrar todas las entradas

1.7.09

Berlinale: World Cinema Fund to Support Seven New Projects


At the 10th session of the World Cinema Fund (WCF) jury on June 26 and 27, five new film projects were selected for production funding; and two films, for distribution funding.


Since its establishment in October 2004, the WCF has awarded production and distribution funding to a total of 63 projects chosen from 1035 submissions from Africa, Latin America, the Middle East, Central and South East Asia, and the Caucasus . All of the WCF films completed so far have screened in cinemas and/or in the programmes of renowned international film festivals - proof of the international success of the initiative. Most recent examples include the winner of the Berlinale La teta asustada (The Milk of Sorrow) and the four WCF-funded entries screened in Cannes this year: The Wind Journeys by Ciro Guerra, Independencia by Raya Martin, Ajami by Scandar Copti and Yaron Shani, as well as Huacho by Alejandro Almendras Fernandez.


The WCF is also pleased that the board of the German Federal Cultural Foundation under the chairmanship of Minister of State for Culture Bernd Neumann agreed at its last meeting to extend its financing of the WCF until the end of 2011. (See press release from 15 June 2009).


Latest Funding Decisions

The WCF jury film scholar and curator Viola Shafik (Germany/Egypt), programme coordinator of Swiss Television Alberto Chollet ( Switzerland ), dramaturge Alby James ( England ), as well as WCF project managers Sonja Heinen and Vincenzo Bugno – made their selection from 107 submissions from a total of 40 countries. They awarded funds totalling 222,500 euros to:


The Bad Intentions, director: Rosario Garcia-Montero ( Peru ); producer: Garmont Films, Lima . German co-producer: Barry Films, Berlin . Feature film, funding: 50,000 euros


Post Mortem, director: Pablo Larraín ( Chile ); producer: Fabula, Santiago de Chile. Feature film, funding: 50,000 euros


“3” (TRES), director: Pablo Stoll ( Uruguay ); producer: ControlZ Films, Montevideo . German co-producer: Pandora Film Produktions GmbH, Cologne . Feature film, funding: 40,000 euros


Jean Gentil, director: Laura Amelia Guzmán (Dominican Republic); producer: Aurora Dominicana, Santo Domingo. German co-producer: Bärbel Mauch Film , Berlin . Feature film, funding: 40,000 euros


Shirley Adams, director: Oliver Hermanus ( South Africa ); producer: DV8 Films, Johannesburg. Feature film, funding: 25,000 euros


The funds for this project will be provided by the Federal Foreign Office.


Distribution funding:


Gigante, director: Adrián Biniez ( Argentina ); producer: ControlZ Films ( Montevideo ). German distributor: Neue Visionen Filmverleih GmbH, Berlin . Feature film, funding: 10,000 euros

Release in German cinemas: November 2009


The One Man Village, director: Simon El Habre ( Lebanon ); producer: Beirut DC , Beirut and Mec Film, Münster. German distributor: Mec Film, Münster. Documentary, funding: 7,500 euros


Release in German cinemas: September 2009.


The funds for this project will be provided by the Federal Foreign Office.


The World Cinema Fund not only stands for innovative cinema, visual power, and the diversity of cinematic art in the regions funded by the WCF, but also for an ideal relationship between filmmakers from these regions and the film industry in Germany. Within a short period, the WCF has established itself as a cultural-political instrument for awarding funds, as a seal of quality for the supported projects, and as an initiative for making international contacts within the business.


Submission deadline for the next round of funding: 3 August 2009


For further information, go to: www.berlinale.de


The World Cinema Fund is an initiative of the German Federal Cultural Foundation and the Berlin International Film Festival in cooperation with the Goethe Institute.


15.6.09

German Federal Cultural Foundation will continue to support World Cinema Fund


The Berlinale is pleased that the German Federal Cultural Foundation will continue to support the World Cinema Fund (WCF) of the Berlinale until the end of 2011.


The Foundation’s board under the chairmanship of the Minster of State for Culture Bernd Neumann agreed at its last meeting to extend its funding of the World Cinema Fund and so secured the WCF’s existence for another two years.


“We are delighted! With the Cultural Foundation’s support we will be able to continue the WCF’s successful funding programme. Thanks to the World Cinema Fund’s pragmatic and effective strategies, the WCF has since its inception funded a whole string of successful films that have been both artistically fascinating and competitively viable,” says Berlinale Director Dieter Kosslick.


All WCF films produced to date have screened in cinemas and/or in the programmes of renowned international film festivals.


The Berlinale competition entry and multiple prizewinner Paradise Now was one of the first films funded by the WCF: awarded a Golden Globe and nominated for an Oscar, it has been distributed in the interim to more than 50 countries. Another film supported by the WCF was Hamaca Paraguaya, the first film from Paraguay in more than 20 years. The Mexican film Silent Light by Carlos Reygadas won, among many other awards, the Jury Prize in the main competition of the Cannes International Film Festival in 2007; Filmphobia from Brazil and Dioses from Peru screened in the main competition in Locarno . The Turkish film Pandora’s Box was awarded Best Film at the San Sebastián Film Festival; the Peruvian film La teta asustada (The Milk of Sorrow) won the Golden Bear at the Berlinale in 2009. Four other WCF-funded films screened in this year’s Official Programme of the Festival de Cannes (Independencia from the Philippines, The Wind Journeys from Columbia, Huacho from Chile, and Ajami from Israel/Palestine)


Since the German Federal Cultural Foundation and the Berlinale launched the WCF in October 2004, 1000 projects from Africa, Latin America, the Middle East, Central and South East Asia, and the Caucasus have been submitted. 56 of them have received production or distribution funding.


The World Cinema Fund not only stands for the diversity of cinematic art in the regions funded by the WCF, but also for an ideal relationship between these regions, and producers and/or the film industry in Germany. Within a short time, the WCF has evolved into a cultural-political instrument for funding films, as well as an initiative for establishing international contacts within the business.


The World Cinema Fund is an initiative of the German Federal Cultural Foundation and the Berlin International Film Festival in cooperation with the Goethe Institute.