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“It begins as a plinking piano, almost too shy to carry on and is followed by a unique voice just on the verge of cracking, but hangs on the precipice - never quite falling off. The sound expands with new layerings of that voice, making it stronger, broadening the knife’s edge, and becoming a solid foundation when shored up by classical strings and further layerings of piano. Even with a solid footing, the music still teeters somewhere between folk, classical and ragtime.”
Kim Ruehl, Seattle Sound
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